The Theory of Everything is the extraordinary story of one of the world’s greatest living minds, the renowned astrophysicist Stephen Hawking, who falls deeply in love with fellow Cambridge student Jane Wilde.

A group of kids on a field trip shockingly discover the bodies of missing children. Their alarming discovery leads to a small western town where the mystery of the slain children's disappearance has created an environment of suspicion and distrust. A curious reporter from the city arrives in town and bribes a bar owner to divulge everything she knows. Gradually, the pieces of this disturbing puzzle; deception, adultery and secret bonds, start falling into place. They hold the key to the mystery of the murdered children.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

DELUXE TWO-DISC EDITION 　　AVANT-GARDE 3 EXPERIMENTAL CINEMA 1922-1954 　　CAVALCANTI MAAS PETERSON BROUGHTON BUTE KESSLER WHITNEY KIRSANOFF MURPHY MARC'O WATSON HUFF 　　From THE Collection of THE GEORGE EASTMAN HOUSE AND FROM THE RAYMOND ROHAUER COLLECTION 　　From the little theaters of the 1920s to the ad hoc film societies of the '50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc'O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino's third volume of experimental films continues to illuminate the degree to which cinema's evolution has been influenced by those filmmakers who occupy its periphery.

Morris Swann takes countless job interviews only to turn them down as he searches for something more than a career.

An aspiring recording artist, Adam, is burned by a bad relationship experience and decides that if women won't respond to the "nice guy" then he'll be "the jerk." This is wildly successful with meaningless relationships, but when Adam meets and falls for Molly, who doesn't fall for his jerk routine, Adam is forced to reconsider his dating philosophy.

After inheriting a home from a recently deceased grandfather she never knew, Liz Jennings travels to the small Texas town of Brockmeyer. Soon after she arrives, Liz receives a surprise visit from a popular Austin conspiracy radio show host named Seamus "Shame" Fuller. Shame informs Liz that he has reason to believe her grandfather may have been involved in the assassination of President John F. Kennedy. Though she is initially skeptical, Liz soon agrees to assist Shame in his search for answers.

At an absurdly self-indulgent student film festival, the directors of the (mostly terrible) short films start getting killed off one by one and a budding British documentary filmmaker decides to investigate.

At an absurdly self-indulgent student film festival, the directors of the (mostly terrible) short films start getting killed off one by one and a budding British documentary filmmaker decides to investigate.

Zeek, a sweet but timid young man, is struggling to deal with the disappearance of his life-long friend Presley, a cartoon-obsessed, narcissistic, control freak. Eventually, Zeek meets Keith, a confident, kindhearted guy, who shows Zeek what friendship truly means.